فن التکرار کمصدر الالھام فی قصائد محمد بلقاسم

Repetition Art as a Source of Inspiration in Poems of Muhammad Belqasem

Authors

  • Dr. Mufti Muhammad Saleam Research Officer, Department of Arabic, G.C. University, Faisalabad. Author
  • Prof. Dr. Matloob Ahmad (Correspending Author) Dean Faculty of Arts & Social Sciences The University of Faisalabad. Author
  • Dr Wajid Ali Assistant Professor Department of Islamic Studies Superior University Faisalabad Campus Author

Keywords:

Repetition, Inspiration, Expression, Aesthetic, Poetic, Recent, prychalogical

Abstract

This research deals with a topic “Repetition Art as a Source of Inspiration in Poems of Muhammad Belqasem”. Many poets writs about their own lives emotions and expressions using their feeling of a spring board for exeativity. The beauty and complexity of the natural world often serve as powerful inspiration, leading poets to explore themes of life, death, and the passage of time. Although repetition has long existed in classical Arabic poetry, it has emerged as a modern stylistic device of expression because it is considered a phenomenon of recent prominent poetic text structure so that there is in every book of poems. It can have respectful aesthetic and psychological meanings reinforce the semantic and rhythmic movement in the poetic text. It aims at research paper to study the aesthetic of repetition in the poetry of Muhammad Belqasem Khumar, this study explores the nature of the technique, its structure, and aesthetic formulation, as well as the extent to which the poet employed it as a creative tool within his poetic texts.

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References

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. Umar Khalifa Idrees, Al-Baniya tul Eqaeya Fi She’r Al-Buhtari, Manshorat Qara Younus, 1st Edtion, Lebiya, P.199.

. Muhammad Belqasim Khumaar, Al-Amal Al-She’ria Wa-Alnasria (She’r) Moasisa Bozyani Lin-Nasher, 2009, Al-Jazair, Vol.1, P.287.

. Imran Khuzair Al-Kubaisi, Lugha Al-She’r Al-Arabi Al-Muasar, Wakala

Al-Matbua’at, 1982, Al-Kuwait, P.144

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. Muhammad Belqasim Khumaar, Al-Amal Al-She’ria, Vol.1, P.269.

. Ibid, P.451.

. Manzar Abashi. Al-Uslobia Wa Tahlil-ul-Khatab, Markaz Al-Inama-ul- Hazari, Suriya, P.78.

. Zuhair Ahmad Mansoor, Zahira Tul Takrar Fi She’r Abi Al-Qasim Al-Sha’abi, Derasa Uslobia, P.7.

. Muhammad Belqasim Khumaar, Al-Amal Al-She’ria, Vol.1, P.129.

. Ibid, P.131-133.

. Esam Sharteh, Jamaliyat Al-Takrar Fi Al-She’r Al-Suri Al-Mua’sar, Rend Lil Taba’a Wa Al-Nasher Wa Al-Tauzeei, Demashqu, 2010, P.26.

. Muhammad Belqasim Khumaar, Al-Amal Al-She’ria, Vol.1, P.305,306.

. Abbas Hasan, Al-Nahv Al-Wafi, Dar-ul-Mua’rif, 1971, Egypt, P.13.

. Mahdi Al-Makhzomi, Fi Al-Nahv Al-Arabi, Dar-u-Raid Al-Arabi, 1986, Berut, Labnan, P.12, 13.

. Mahmood Usran, Al-Baniya tul Eqaeya Fi She’r Shauki, Maktaba Al-Ma’rifa, 2006, P.301.

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. Manzar Ayashi, Maqalat Fi Al-Uslobia, Manshorat Ithad Al-Kitab Al-Arab, 1990, P.82.

. Muhammad Belqasim Khumaar, Al-Amal Al-She’ria, Vol.1, P.466.

. Ibid, P. 356.

. Ibid, P.195.

. Ibid, P.508.

. Ibid, P.210.

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Published

20-06-2025

How to Cite

فن التکرار کمصدر الالھام فی قصائد محمد بلقاسم: Repetition Art as a Source of Inspiration in Poems of Muhammad Belqasem. (2025). Scholar Insight Journal, 3(2), 1-20. https://scholarinsightjournal.com/index.php/sij/article/view/69